Is Google Books Fair Use? We May Never Know.

Instead of battling it out in court, Google has agreed to pay $125 million to settle two copyright lawsuits by publishers and authors over Google Books. The deal will make millions of books searchable and printable online, although downloads of copyrighted material are going to cost you.

The settlements requires Google to obtain content owners' permission before publishing snippets for in-print books, although pages of text from out-of-print will still be available. Unfortunately for copyright scholars, this part of the settlement precludes a court decision about whether such snippets constitute "fair use"--a subject that has inspired a great deal of debate since Google Books launched in 2004 (see here for comments from the pro-fair use crowd (check out the video!), here for an argument that more legislation is needed in this area, and here and here for a more detailed analysis).

Here's the full story, including more details about the settlement. Google's press release about the deal can be found here.

Sony accuses Rev. Phelps of copyright violation for online video parody

This week, Sony/ATC Music Publishing in New York City wrote to Rev. Fred Phelps and his church group, known for picketing soldiers’ funerals across the nation, telling them to stop what it claimed was “unauthorized use” of the song “Holding Out for a Hero,” featured in the 1984 film “Footloose.” Sony accused Phelps and the Westboro Baptist Church of violating copyright laws with their online video parody, “There Are No Heroes.”

The video highlights the church’s controversial stance against homosexuality in connection with the belief that soldiers’ deaths in the Iraq and Afghanistan wars serve as God’s punishment for the U.S. tolerating homosexuality.

Fred Phelps’ daughter and the church’s attorney said the group will continue hosting its video of the song on its Web site. She maintains that Sony “said in their letter that it is a parody, but they lost their perspective. They hate these words. We said plainly there are no heroes and that is what the song is about. Under the fair use doctrine, this is proper for us to do.”

Phelps responded to the letter from Peter Brodsky, Sony’s executive vice president for business and legal affairs, this past Friday, claiming that Westboro’s use of the song is exempt from copyright laws because the video is a parody.

This is the second time in recent years that a music company has accused Phelps and his church of copyright infringement. Last year, Warner/Chappel Music Inc. in Los Angeles viewed the group’s parody of “God Hates the World,” to the tune of “We are the World” as a violation of its copyright.

Find this article in Business Week. Further details on this story and a link to the “There Are No Heroes” video can be found here.

Analysis: The Politics of IP Law

Apparently, politics and intellectual property are more related than I thought! Two articles this week discuss the role of YouTube in the presidential campaign.

A Wired article describes the problem of DMCA notices in the political context. The McCain campaign, which has seen several videos yanked from YouTube based on alleged DMCA violations, has asked the site to commit a full legal review of all take-down notices for content posted by political candidates and campaigns.

In the New York Times, Prof. Lawrence Lessig explains that the use of excerpts from debates and interviews should be considered fair use when employed to create political advertisements. Instead of relying on the existing nebulous fair use analysis, however, Lessig suggests that copyright law be revised to clearly exclude political content. Otherwise, Lessig says, free speech will be unjustly stifled. The editorial can be found here.

Background:

The Supreme Court has hinted that the fair use doctrine is necessary to reconcile the inherent tension between the Copyright Clause and the First Amendment. See Harper & Row Publishers, Inc. v. Nation Enterprises, 471 U.S. 539, 558 (1985) (describing copyright law as "the engine of free expression"). This doctrine is particularly well-developed within the Second Circuit, which has explained that the role of the fair use doctrine is to balance "the public interest in the free flow of ideas with the copyright holder’s interest in the exclusive use of his work.” Warner Bros., Inc., v. Amer. B’casting Co., Inc., 720 F.2d 231, 242 (2d Cir. 1983). Thus, where matters of public interest are concerned, courts have held that the importance of the public’s right to full information may outweigh the content owner’s profit interest. See, e.g., Time, Inc. v. Bernard Geis Asscs., 293 F. Supp. 130 (S.D.N.Y. 1968) (holding the reprint of video stills from President Kennedy’s assassination to be fair use).

The notion of fair use has often come into conflict with the Digital Millennium Copyright Act (DMCA), passed in 1998 to prevent copyright infringement on the Internet. The DMCA set up a notice-and-takedown system, requiring those who believed their rights were infringed to notify a website. So long as the site removes the offending content, it avoids liability. In order to have their content allowed back on the site, posters must affirmatively challenge the DMCA claim. Because this encourages sites to remove content first and ask questions later, this system has been subject to criticism on First Amendment grounds (see the EFF's site for more).

Political advertisements fall in an interesting area of First Amendment doctrine. In general, political speech receives the highest degree of First Amendment protection, because it is at the core of a democratic society. Commercial speech, however, may be subject to greater restrictions. In its most recent decision dealing with campaign advertisements paid for by third parties, the Supreme Court declared, "Where the First Amendment is implicated, the tie goes to the speaker, not the censor." See FEC v. Wisconsin Right to Life, 551 U.S. __ (2007).

Analysis:

Although the removal of political advertisements mid-campaign is troubling, there is an easy solution to the McCain campaign's soundtrack problem--buy a license to use the songs! We have a mandatory licensing scheme for music in the U.S., and those who wish to use the creative works of others should pay them for it. Moreover, a use will not be "fair" when it affects the licensing market for a work, which unfettered access to the works of others may well do. It is one thing when a creator makes a mashup for fun and posts it on YouTube, but here we are dealing with presidential campaigns that have millions of dollars to spend. Licensing fees tend to be quite reasonable, so is it really too much to ask campaigns to pay them? Feel free to disagree with me the comments.

The use of debate clips and interviews is more problematic. Although most courts would find it to be fair use, the DMCA system allows websites--not courts--to make the initial call. Websites have every incentive to err on the side of caution, and remove the content from their sites. For this narrow use, I believe Lessig's suggestion is an important one to consider.

Video: William Patry on Internet Metaphors

William Patry, copyright blogger and Senior Copyright Counsel at Google, spoke about "Internet Metaphors and Why we Need to Lose Them." Mr. Patry explained that because judges have absorbed language in which the Internet is described as a "place" you can visit, courts have often come to the wrong conclusion.

Mr. Patry also countered Prof. Werbach's suggestion that Google had "no idea" how to make YouTube profitable. "I don't think we'd pay $1.65 billion dollars ... being clueless about how to [make a profit]." Mr. Patry said the plan for the site was to engage in more licensing deals.

Click below for the full video:

Video: Kevin Kuzas of Comcast Interactive Media

Kevin Kuzas, VP and General Counsel of Comcast Interactive Media, delivered a keynote address entitled "Copyright Challenges in Internet Video." Mr. Kuzas spoke about the issues faced by those trying to license video for the Internet.

CIM runs Fancast, an Internet video site which hosts content licensed from Viacom and other content providers.

For the full video, click below:

Video: Panel on User-Generated Content

Our first panel of the day was titled "User-Generated Content: Cooperation or Litigation?" Topics included the Viacom-YouTube lawsuit, the validity of litigation in creating beneficial legal precedents, and the impediments to full cooperation between content owners and content providers. For the full video, scroll down to the bottom of this post.

Kevin Werbach asserts that "YouTube doesn't even know how it's going to make money" as Google's Bill Patry looks on.

Viacom's Stanley Pierre-Louis (right) discusses his company's recent initiatives to add online content. Professor Michael Carroll of Villanova (left) listens.

Kevin Werbach of Wharton (center) registers his objection to the term "user-generated content" when describing copyright infringement problems caused by sites like YouTube.

Video, Part 1:

Video, Part 2:


The panelists, seated from left to right, were:
• Michael Carroll, Professor of Law, Villanova School of Law
• Stanley Pierre-Louis, VP and Associate General Counsel, Viacom
• Kevin Werbach, Assistant Professor of Legal Studies, Wharton
• Lance Koonce, Partner, Davis Wright Tremaine
• Gideon Parchomovsky, Professor of Law, UPenn Law (moderator)

Blogging the Symposium: Government Role in IP

The third panel featured a lively debate on the proper role for the government in enforcing intellectual property rights. In particular, discussion focused on the PRO-IP act, a controversial bill which had proposed increased damages for infringement and a new government bureaucracy to ensure the protection of copyright.

Sherwin Siy, above left, discussed the recent markup of the bill, which moved out of subcommittee only after the provision to disaggregate damages was struck.

Many of the questions focused on whether it was proper for the government to spend a significant amount of money to protect a private right. Prof. Post pointed out that the nature and protection of property rights changes with technology, noting that at one point flying an airplane over one's land was considered a trespass. The government, he said, should not be in the business of protecting outdated business models. From the audience, Prof. Parchomovsky, the moderator from the first panel, questioned whether the benefits would outweigh the costs of such a proposal.

Charles Sanders (far left) said that less protection for artists would lead to the decline of professional artists in favor of amateurs, countering a comment by Prof. David Post (far right) that people create even in the absence of an ability to make money. There may be more works of art than ever, Sanders said, but they are not of the same quality as professional products. Also pictured are Sherwin Siy and Sigal Mandelker from the DOJ. Ms. Mandelker opposed the creation of a new government office for copyright, noting that the DOJ has already been prosecuting large-scale infringers.

Prof. Christopher Yoo (far left) moderated debate between Mr. Sanders and Prof. Post. Mr. Sanders told Prof. Post that if they sat down and talked, they would probably agree 98% of the time. Prof. Post said if that was true, he would buy him a beer--by the end of the panel, it became clear that no beer would be forthcoming. They did agree, however, that the music industry needed to adopt a new business model in the face of changing technology.