So What Exactly is Fair Use?

Eight months ago on this blog we discussed the case Fairey v. AP, in which Shepard Fairey claimed that his depiction of Barak Obama constituted a fair use of an Associated Press picture. But what exactly is "fair use"? Tim Wu, law professor at Columbia University, writing for Slate, breaks the concept down. Professor Wu writes about the way in which the fair use defense has been used in the past, and what policy considerations courts have weighed in deciding on whether a fair use defense is legitimate. As the case is still being litigated, we do not know if the fair use defense will save Fairy or not.

The fair use defense was used unsuccessfully in the Joel Tenebaum case. Tenebaum was sued by the RIAA for copyright infringement when he downloaded mp3 songs from KaZaA. The court ruled for the RIAA, saying that the fair use defense would not apply in this case. On his blog, Professor Charlie Nesson, who represented Joel Tenebaum, ponders who the word "fair" in fair use is supposed to refer to.

If fair use is to be judged from the industry’s perspective only, then the permission or lack of it from the copyright holder is all that counts ... But if fair use is to be judged from the user’s perspective, then making use of a new, superior form of music product – downloadable, fully transferrable music files – while there was nothing comparable available on the market, can easily be seen as a fair use.

Please read Nesson's blog for further discussion.

Penn Law Review Seeks IP-Related Submissions

The University of Pennsylvania Law Review is seeking essay submissions advancing a legal argument related to the 2008-2009 symposium topic, "Foundations of Intellectual Property Reform." The symposium will explore possible reforms, innovations, and impending issues in patent, copyright, and trademark law.

The winning paper will be published in the University of Pennsylvania Law Review’s Symposium Issue in Spring 2009, and the author will be invited to attend the conference in Philadelphia on January 16-17, 2009.

For more information, following this link.

Prof. Lessig Praises Amateur Remixing

In an essay for the Wall Street Journal Online, Prof. Lawrence Lessig of Stanford Law condemns copyright owners for pursuing legal action against amateur creators. He urges several changes in the law, including the deregulation of the "amateur remix" and the de-criminalization of peer-to-peer file sharing. The full article can be read here.

The essay is excerpted from Lessig's book "Remix," which will was released yesterday.

Welcome Back!


The Penn Intellectual Property Group (PIPG) develops and promotes intellectual property programs within the Penn Law and greater Philadelphia community. Among its activities, PIPG has hosted panels on topics including IP Careers, Biotechnology, and Arts and Entertainment. Last year, we organized a symposium on copyright and technology that brought prominent legal scholars and representatives of Google, Viacom, Comcast, and Sony, among others (see posts below).

This year, we hope to be even stronger by creating additional on-campus programs and developing this blog as a resource for current developments in IP law. If you are interested in serving as a contributor to this blog, or in helping with our activities in any way, please contact Karen Chesley at karenac@law.upenn.edu.

More information about the club will be provided at our introductory meeting on Wednesday, October 15, 2008, in room G-213 at noon. Pizza will be served.